噬人海妖

2014 / 其它 / 恐怖片

一对花枝招展的青春女孩趁着假期造访风光明媚的黑山，在当地朋友的招待下玩得乐不思蜀。有一天她们兴致高昂地前往邻近的马穆拉岛，打算来场小冒险好回去说嘴，马穆拉岛是座设有废弃军事基地的无人岛，随着她们的深入探索，气氛逐渐变得诡异紧绷，原来潜藏暗处的神秘岛主为了守卫岛上的神秘人鱼不择手段，竟让恐怖噩梦降临少女们身上……

没有和解

1965 / 西德 / 剧情

Heinrich Hargesheimer / Carlheinz Hargesheimer / Martha Staendner / 达尼埃尔·于伊耶 / Henning Harmssen / Ulrich Hopmann / Joachim Weiler / Eva-Maria Bold / Hiltraud Wegener / Ulrich von Thüna / Ernst Kutzinski / Karl Bodenschatz / Heiner Braun / Georg Zander

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.

德里巴斯街上好天气或者布莱顿海滩又下雨了

1992 / 俄罗斯,美国 / 喜剧 / 动作 / 犯罪

德米特里·哈拉季扬 Dmitri Kharatyan / 安德烈·米亚赫科夫 / Kelly McGrill / 米哈伊尔·科克申诺夫 / Yuri Volyntsev / Emmanuil Vitorgan / 阿尔缅·哲加科汉良 Armen Dzhigarkhanyan / 马姆卡·基卡列伊什维利 / 鲁斯兰·艾赫迈托夫 / Vladimir Ferapontov / Mentay Utepbergenov / 列昂尼德·库拉夫廖夫 / Vladimir Sedov / 叶夫根尼·维斯尼克

The presidents of two superpowers, the Soviet Union and the United States, are expected to meet for important negotiations. However, the meeting in jeopardy due to raging of the Russian Mafia, settled in America. Mafioso Rabinovich even interfere with the conversation of top secret hotline between the presidents. So begins a comedy, in which KGB agent Fyodor Sokolov and CIA agent Mary Star expose the Artist, a head of the Mafia, feigning of various Soviet leaders.